I Got the News: The Tightest Pop on the Most Expensive Album
How Steely Dan's shortest and most conventional song on Aja demonstrates that perfectionism serves groove as much as grandeur.
• Matt Dennis
How Steely Dan's shortest and most conventional song on Aja demonstrates that perfectionism serves groove as much as grandeur.
How Steely Dan's uptempo finale transforms the album's perfectionism into pure joy—featuring Chuck Rainey's irrepressible bass and the art of the triumphant exit.